Melia Boudreau
Theatrical Technician / Artist and Adventurer

some of my work
class and personal projects

bricks

trompe l'oeil on stone

woodgrain

texture: peeled plaster

texture: peeled plaster - close up

marble (on plywood)

granite

more granite!


wall and door texture research
wall/door texture research close up

gold leaf on floral foam

gold leaf on floral foam - 3D angle


color mixing - color wheel
color mixing - saturation and value scale

color mixing - saturation scale

color mixing - value scale

New Mexico landscape - acrylic and colored pencil
scene shop and onsite projects
foam mound for Gnit for Theatre For A New Audience, NYC

dry fitting CNC pre-cut foam, prepping for tracing and forming the shapes by using a hotwire

shop kitty, Thalia, making sure pieces are layed out correctly

shaping and carving the foam based off the model and drawings

foam cells... everywhere!!


adding burlap: 2' and 1' cut out squares applied with flexbond and watered-down paint
​
adding moss: pieces cut out to shape over bumps and rocks. adhered with flexbond and watered down paint


finalizing and touch-ups: rocks textured with jaxsan, foam cells and paint. flowers an chunks of moss added along with the broken fence for a finalized look

the final look!
about Mel
Hello! My name is Melia, but most people call me Mel. I'm a carpenter, theatrical technician and an artist. I began doing technical theatre when I was 13 and attended a magnet arts school in Connecticut known as the Greater Hartford Academy of the Arts. After graduating, I went to Ithaca College for two years studying similar but more intense design and tech material. Since high school, I freelanced around CT as a carpenter/technician working changeovers and shows. I also work in repertory opera as a stagehand for companies such as The Santa Fe Opera and The Glimmerglass Festival. During my free time, I enjoy creating art, exploring the great outdoors and playing music. Most of my experience lands on the more technical side of theatre, but I am trying to branch out and do more work as a scenic artist.